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Shobogenzo.pdf
Shobogenzo.pdfThe Shobogenzo 2256 viewsA new translation of a Zen classic. The Shōbōgenzō is the recognized spiritual masterpiece by the thirteenth century Japanese Sōtō Zen Master Eihei Dōgen. It is comprised of discourses that he gave to his disciples, in person or in writing, at various times between 1231 and his death twenty-two years later at age fifty-three. These discourses cover a wide range of topics pertinent to those in monastic life though often also relevant to those training in lay life. He discusses matters of daily behaviour and religious ceremonial as well as issues involving the Master-disciple relationship. He also explores the deeper meaning that informs the so-called Zen kōan stories, which often puzzle readers by their seeming illogicality and contrary nature.
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08pinklotus04.jpgPink Lotus 042254 viewsPink Lotus 04
BT03B.MP3
BT03B.MP3Lecture 3. (a) The True Nature of Existence2246 viewsThe lectures explain the Dhamma from the perspective of Theravada Buddhism, the oldest continuous Buddhist school, whose scriptures, the Pali canon, give the most accurate picture of what the historical Buddha himself actually taught. The lectures are intended to be basic enough to be of value to beginners without previous study of the Dhamma, and deep and through enough to be of interest to long-term students seeking to extend and clarify their understanding.
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10white_lotus.jpgWhite Lotus 102244 viewsWhite Lotus 10
Sallekha_Sutta_46_XLVI_Mahasi_Sayadaw_p333-338.mp3
Sallekha_Sutta_46_XLVI_Mahasi_Sayadaw_p333-338.mp3Sallekha Sutta - A Discourse on the Refinement of Character2244 views46. Bhayanana, Adinavanana and Nibbianana

Sallekha Sutta by Mahasi Sayadaw,
Translated by U Aye Maung (read by Ven. Rakkhita)
icon_nepbud_txt.pdf
icon_nepbud_txt.pdfThe Iconography of Nepalese Buddhism (Text version)2243 viewsNepal has a time-honoured tradition of art and culture embedded with Buddhism. In fact, the artistic tradition of Nepalese people is instrumental in elevating the status of Nepal in the world. In the past Nepalese artists produced many excellent images and were sent to Tibet, China, Japan and Mongolia. The purpose of this monograph is to provide some facts, materials and information on Buddhist Iconography gathered through extensive study of canonical texts relating to Vajrayana Buddhism.
120801-LRR-32k-Prayers-The_Seven_Limbs-English.mp3
120801-LRR-32k-Prayers-The_Seven_Limbs-English.mp3The Seven Limb Prayer - English2235 viewsEnglish chanting by Ven. Sarah Thresher
thai-buddha_07.jpg
thai-buddha_07.jpg07 Thai Buddha Image2232 views07 Thai Buddha Image
04Interview_-_What_to_Report.pdf
04Interview_-_What_to_Report.pdfWhat to Report in an Interview2231 viewsOnce the beginner is established in the basic techniques, students are then required to report their experience to the teacher in a formal interview throughout the retreat. The interview is the basis for the relationship between the teacher and the student. It is crucial for the development of Vipassana meditation as it is where the meditator reports his or her experience and can be guided and given further instructions if need be by the teacher.
Wisdom_of_Emptiness.mp3
Wisdom_of_Emptiness.mp3Wisdom of Emptiness2228 viewsTenzin Palmo met her Guru, His Eminence the eighth Khamtrul Rinpoche in India and became one of the first Westerners to be ordained as a Tibetan Buddhist nun. She remained with Khamtrul Rinpoche and his community in Himachal Pradesh, northern India, for six years and then he directed her to the Himalayan valley of Lahaul in order to undertake more intensive practice. Tenzin Palmo stayed in a small monastery there for several years, remaining in retreat during the long winter months. Then, seeking for more seclusion and better conditions for practice, she found a nearby cave where she remained for another 12 years, the last 3 years in strict retreat. She left India in 1988 and went to stay in Italy where she taught at various Dharma centres.
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