Most viewed |

02_contemplating_movement.pdf02 Contemplating Movement5203 viewsPatrick Kearney
Contemplating movement. Here we explore the nature of distraction and its relationship to the fact of change. This brings us to insight meditation, and incorporating movement into the practice. We begin walking meditation, and introduce the standing posture.
|
|

buddha_life_02.gifQueen Mahamaya's Dream5197 viewsQueen Mahamaya's Dream
|
|

z-stupa02.jpgStupa015191 viewsTibetan Buddhist Art Work: Stupa01
|
|

appropriate_response.flvAn Appropriate Response5137 viewsGil Fronsdal is the primary teacher for the Insight Meditation Center in Redwood City, California; he has been teaching since 1990. He has practiced Zen and Vipassana in the U.S. and Asia since 1975. He was a Theravada monk in Burma in 1985, and in 1989 began training with Jack Kornfield to be a Vipassana teacher. Gil teaches at Spirit Rock Meditation Center where he is part of its Teachers Council.
|
|

Wisdom_Develops_Samadhi.pdfWisdom Develops Samadhi5130 viewsAnapanasati Bhavana (developing the awareness of breathing) uses the breath as the objective support of the heart and consists in knowing and mindfulness (sati) of in and out breathing. In becoming aware of breathing, one should at first fix attention on the feeling of the breath at the nose or the palate (roof of the mouth), as it suits one, because this is where the breath initially makes contact, and one may use this as a marker point for holding one's attention. Having done this until one has become skilled, and the in and out breathing becomes finer and finer, one will progressively come to know and understand the nature of the contact of in and out breathing, until it seems that the breathing is located either in the middle of the chest or the solar plexus. After this one must just fix one's attention on breathing at that place and one must no longer be concerned about fixing attention on the breathing at the tip of the nose or the palate, nor about following it in and out with awareness…
|
|

scrnguna.pdfA Critical Analysis of the Jhanas in Theravada Meditation5115 viewsThis work, by Ven. Henepola Gunaratana, provides an analytical study of the Jhanas, as they are an important set of meditative attainments in the contemplative discipline of Theravada Buddhism. Despite their frequent appearance in the texts, the exact role of the Jhanas in the Buddhist path has not been settled with unanimity by Theravada scholars, who are still divided over the question as to whether they are necessary for attaining Nibbana.
|
|

ratana.mp3Ratana Sutta5111 viewsThe Jewel Discourse.
Ratana Sutta - The Jewel Discourse.
|
|

gawarens.pdfA Guide to Awareness5104 viewsThe Foundations of Mindfulness (Satipatthana Sutta). This is a series of twenty-two talks given at Wat Bovornives, Bangkok by H.H.Somdet Phra Sanasamvara, Supreme Patriarch of Thailand. The Four Foundations of Mindfulness is the Buddha's explanation of the practice of mindfulness meditation within the framework of four foundations of awareness: body, feelings, mind-states and the mental content. If you read this book, you will discover the truth of the 'knots' and problems that exist within you. In short, this can be described as the 'knot of suffering'. You may also then see the method to unravel and safeguard against this suffering.
|
|

chandew.pdfThe Sweet Dews of Ch'an5103 viewsReverend Cheng Kuan
Ch'an or Zen is the outcome of meditation. There are two 'right'or 'highest' purposes of Ch'an. The first purpose is to achieve Dhyana. Dhyana is a combination of relaxation, concentration and calmness or tranquility. The second purpose is, using your very composed and tranquil mind, to observe clearly all the dharmas or phenomena externally and internally. As an outcome of Dhyana, you will be able to observe these phenomena very clearly because your mental mirror is very clear, for there are no more disturbances to veil it. Out of these observations will come Transcendental Wisdom, which in Sanskrit is called Prajna.
|
|

ritual-dagger.jpgRitual Dagger5089 viewsTibetan Buddhist Art Work: Ritual Dagger
|
|
1212 files on 122 page(s) |
 |
 |
 |
10 |  |
 |
 |
|